Dating staffordshire pottery

As if the decline of this once globally respected brand wasn’t tragic enough, there was a final hammer blow.

Thanks to a quirk in pension law, the Wedgwood Museum was held responsible for the collapsed company’s £134 million pension debt.

dating staffordshire pottery-2

updating maps on magellan gps - Dating staffordshire pottery

The frieze depicts the mythological Horae, Roman goddesses who personify the hours of the day.

The figures are still produced today — although they wear more clothes now, to conceal their once daringly revealed curves If the collection survives intact, there will be at least one grand memorial to Josiah Wedgwood left in Stoke, a city that was once potter to the world.

But, thank God, the auction has been suspended while the Art Fund, a heritage charity, tries to raise this sum by November 30 to prevent it from falling into the hands of private collectors.

Taurus the bull, 1957: Designed in the final Wedgwood glory days by Arnold Machin, the first full-time figure modeller to be employed at their Barlaston factory in Staffordshire.

Josiah Wedgwood offered this vase to the British Museum, which accepted it, despite strict rules about having only historic objects; Fish vase, 1975 Elwyn James was talent-spotted by the Wedgwood chairman while he was a student at Wrexham Art College in the Sixties.

Working in tricky bone china, he hand-carved each individual detail onto this vase and used some of his own experimental glazes There’s the famous copies of that Portland Vase, as brandished by Josiah outside Stoke railway station, and rare family portraits by celebrated painter George Stubbs.

In a doomed bid to maximise profits and reduce costs, Waterford Wedgwood went mass market, cutting back on the quality and range of pottery patterns that had been the company’s watchword.

The workforce was slashed and manufacture outsourced to cheap foreign factories.

The symbols were purely decorative, however, because their meaning wasn’t discovered until 1822But Wedgwood wasn’t just responsible for beautiful designs, he was a social progressive, too.

One of his most famous pieces was a medallion of a chained black slave under the words: ‘Am I not a man and a brother?

Wedgwood was an artistic and industrial visionary of a sort long gone from these shores.

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